Adra and Abraham’s ‘No Other Land’ Sparks Global Acclaim \ Newslooks \ Washington DC \ Mary Sidiqi \ Evening Edition \ The documentary No Other Land, created by Palestinian filmmaker Basel Adra and Israeli filmmaker Yuval Abraham, has received international acclaim for its raw depiction of life in the West Bank under Israeli occupation. Despite awards and recognition, the film faces significant controversy and lacks U.S. distribution as the political climate intensifies with the Israel-Palestine conflict. Set for an Oscar-qualifying run at New York’s Lincoln Center, the film remains a powerful call for awareness on the lives impacted in Masafer Yatta.
Film No Other Land Reveals Life in Occupied Masafer Yatta: A Look at the Documentary’s Journey
- A Documentary with a Unique Perspective: Palestinian Basel Adra and Israeli Yuval Abraham filmed the documentary No Other Land over five years, highlighting the daily challenges faced by residents in Adra’s West Bank village.
- Accolades and International Recognition: The film has won awards at prestigious festivals in Berlin, Vancouver, and Switzerland, yet remains without a U.S. distributor amid growing political sensitivities.
- Capturing Life Under Occupation: Shot between 2019 and 2023, the film documents the destruction, military pressure, and emotional toll on Palestinian communities in Masafer Yatta.
- Tension and Controversy: Following its Berlin Film Festival debut, the film faced backlash, with the filmmakers’ statements at the event drawing criticism from German officials.
- Struggle for Visibility and Distribution: Despite praise, No Other Land has yet to secure distribution in the U.S. or Israel, which the filmmakers believe is due to the current political climate.
Deep Look
Set to open this week in France and next week in the United Kingdom, No Other Land has secured international interest, even earning a one-week Oscar-qualifying run at New York’s Lincoln Center following its screening at the New York Film Festival. But the film still lacks a U.S. distributor. This delay, according to Abraham, reflects political concerns in the lead-up to a hotly contested U.S. presidential election.
“Maybe they’re afraid to be defunded if Trump wins,” Abraham suggested in a recent interview. “Basel risked his life for years to film this material,” he added. “That requires courage. Can we not have one distributor with the courage, OK, to take a certain risk, but to distribute such an acclaimed and such an important documentary?”
No Other Land tells a compelling story of endurance and resilience. The film focuses on the West Bank area of Masafer Yatta, a mountainous region south of Hebron, where communities of Arab Bedouins have long lived, maintaining traditional ways of life through agriculture and animal herding. This area has been the subject of a long-standing Israeli military effort to relocate Palestinian residents to clear land for military training, which Israeli authorities say was used by Bedouin herders only seasonally, without permanent structures.
“When we began filming, we didn’t know how much worse things could get,” Adra said, reflecting on the film’s timeline, which ends in October 2023 as escalating violence unfolds in Gaza and the West Bank. As Israel’s response to a major Hamas attack on Oct. 7 intensified in Gaza, civilian casualties mounted. According to Palestinian health officials, more than 43,000 Palestinians have been killed, with over half reportedly women and children, while raids in the West Bank and increased settler violence have added to the crisis, raising the death toll by hundreds.
This worsening landscape adds a new level of poignancy to No Other Land, which reflects on the stark realities of families enduring poverty, displacement, and loss under military law. “There’s a big dissonance in participating in festivals when nothing is festive and everything is becoming worse,” said Abraham, a Jewish journalist from southern Israel.
After its debut at the Berlin Film Festival, No Other Land quickly attracted controversy. During an award acceptance speech, Adra drew attention to what he described as Israel’s actions in Gaza, while Abraham used the opportunity to call for an end to Israel’s occupation. These statements sparked backlash in Germany, where many officials felt the filmmakers failed to recognize Israeli victims or mention Hamas. Ron Prosor, Israel’s ambassador to Germany, labeled the speeches as “blatant antisemitic discourse.”
Abraham, however, defended their position. As a descendant of Holocaust victims, he says that calling critiques of Israel’s policies antisemitic risks diluting the term’s meaning. “We called for equality between Palestinians and Israelis,” he explained. “To me, this is the most important message that there can be.”
The film also focuses on Adra and Abraham’s friendship, which they see as emblematic of a potential coexistence. Together, they document military and settler activities, capturing tense moments that unfold as they work. In one poignant scene, Palestinian co-director Ballal challenges Abraham, asking, “It could be your brother or friend who destroyed my home.” The exchange highlights the dual realities: Abraham lives under civilian law, while Adra and Ballal navigate daily life under military law, sometimes facing uncertainty even in basic activities like travel.
New York magazine critic Bilge Ebiri notes that U.S. distributors once embraced such stories, adding that “Are these companies holding back out of budgetary reasons, out of cowardice, out of political disagreement?” is an open question. The filmmakers of No Other Land believe the film’s message — a call for mutual security and equality between Israelis and Palestinians — deserves a place in U.S. theaters.
“Silencing our voices — the voices of a Palestinian resisting occupation and an Israeli who believes in equality — blocks dialogue,” said Abraham. “Why are these voices being kept out of mainstream cinema in the U.S.?”
As the conflict continues, the message of No Other Land resonates with urgency, calling for a re-examination of the international response to the long-standing Israeli-Palestinian conflict. “What’s happening is very sad and tragic,” Adra said. “I never imagined something like this could happen in my lifetime, and it’s painful to see the world letting it continue.”
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