Elle Fanning Old Hollywood at Emmy’s Red Carpet
Newslooks- NEW YORK (AP)
Glamour was back Monday at the Emmys with some metallic sparkle and lots of bright color as an otherworldly Britt Lower, Old Hollywood Elle Fanning and their fellow stars walked the gold carpet in sticky Los Angeles humidity.
Lower, from “Severance,” donned a Venetian beaded gown in gold with matching elbow-length gloves. There were cut outs up top and thin embellished straps.
“It felt like I wanted to wear outer space. I have an appreciation for fabrics, my mom was a home economics teacher. I feel great in it,” Lower told The Associated Press.
There were plenty of figure-hugging looks and Old Hollywood glam. Connie Britton was in goddess gown by Monique Lhuillier in a soft pink, a cape like effect at the back. Elle Fanning wanted to honor the creatives on her show, “Catherine,” so she wore a black and pink gown embellished at the chest designed by Sharon Long. Fanning’s hair was in a pulled-back bob.
“I’ve always been inspired by the Old Hollywood glam of the ’50s,” said Fanning, a first-time nominee.
Laverne Cox and Himesh Patel helped kick off the parade of fashion, she in a bold black armor-esque Jean Paul Gaultier Couture mini and he in a white print tuxedo jacket, eschewing the usual evening black. Royal blue on Sarah Thompson (a “Yellowjackets” writer), marigold yellow and more — bright color was a strong starter of the night.
“I’m quite warm, I’m in a three-piece suit. I love this suit, but I wasn’t expecting the heat,” Patel said.
Natasha Rothwell of “The White Lotus” chose red for a gown with balloon short sleeves and a hot commodity on fashion carpets — pockets! Megan Stalter also went for red in a sheer dress that celebrated her curves. Jen Tullock of “Severance” was in the red zone, a thigh high slit and structured sleeve number by Thierry Mugler, worn with drop pearl earrings.
“I’m such a fan of his line. It’s elegant but still has a sense of humor,” Tullock said.
Stalter, from “Hacks, was in burned out velvet by Norma Kamali. She had a faux red rose pinned between her breasts.
“It took my breath away and my words. It’s kind of a sexy dress. It’s wild like me,” she said.
Mark Indelicato was in the red club, sort of. Indelicato’s hair was bright red and his black tux sported long split tails like a train. And the men? Phil Dunster of “Ted Lasso” went for burgundy tux with black lapels, though his Lasso co-star Brett Goldstein and lots of other men stayed with black.
Emily Heller, meanwhile, went in a different direction. She had a “Kick Me” sign on the back of her short floral dress, and a bit of toilet paper stuck to one shoe.
Emmy Awards host Kenan Thompson and the ceremony’s producers are promising a feel-good event — a phrase not applicable to several of the top nominated shows.
The best drama contenders include the violently dystopian “Squid Game,” bleak workplace satire “Severance” and “Succession,” about a powerful and cutthroat family. Even comedy nominee “Ted Lasso,” the defending champ, took a storytelling dark turn.
But after several pandemic-constrained awards seasons, Monday’s 74th Primetime Emmy Awards (airing 8 p.m. EDT on NBC, streaming on Peacock) will be big and festive, executive producers Reginald Hudlin and Ian Stewart said.
Early arrivals on the show’s gold carpet struck a fun, upbeat tone despite temperatures being in the 80s with unseasonable humidity in downtown Los Angeles. Phil Dunster locked arms with his “Ted Lasso” co-star Brett Goldstein and craned his head to make it look like the pair were a couple as they posed for photos.
Glamour was back with some metallic sparkle and lots of bright color as an otherworldly Britt Lower, Old Hollywood Elle Fanning and their fellow stars posed for photographers.
“The Lord of the Rings: The Rings of Power” actor Cynthia Addai-Robinson is at her first Emmys. Masks aren’t required but COVID-19 testing was.
“I think people are hungry for celebration. I know I am. We’re still getting used to gathering and getting together,” she said on the carpet.
Inside, guests will find a similar seating arrangement to last year’s scaled-down ceremony and its club-style table seating for nominees.
“They had a ball. They had a party. They celebrated themselves,” Stewart said, recalling a comment made by actor Sophia Bush at the evening’s end: “Oh, my God, I actually had fun at the Emmys.”
The tables will be back and again reserved for nominees — and their “significants,” Stewart said — but there will be some 3,000 other guests seated traditionally in the temporarily reconfigured 7,000-seat Microsoft Theater in downtown Los Angeles.
“When the nominees are having a great time that translates on screen,” Hudlin said, citing the “passionate, touching” speeches delivered by winners.
Thompson, the veteran “Saturday Night Live” cast member taking his first turn as Emmys host, said he wants to enjoy the ceremony and make sure others do.
“This should be a night of appreciating artistry and creativity and removing the stress of it all out. I get it — it sucks to lose, and everybody’s picking outfits and trying to do the red carpet thing,” Thompson said. “But at the same time, it’s an awesome thing to be in the room on Emmys night, and I don’t want that to get lost in the stress.”
He doesn’t expect anything mirroring the Will Smith-Chris Rock confrontation that cast a shadow over the Oscars earlier this year, Thompson said.
Although HBO’s “Succession,” which won the best drama series award in 2020, and “Ted Lasso” from Apple TV+ are considered the frontrunners for top series honors, there’s potential for surprises. Netflix’s “Squid Game,” a global sensation, would be the first non-English language drama series to win an Emmy.
On the comedy side, ABC’s acclaimed newcomer “Abbott Elementary” could become the first broadcast show to win the best comedy award since the network’s “Modern Family” in 2014. It’s also among the few contenders this year, along with “Squid Game,” to field a substantial number of nominees of color.
At the Emmy creative arts ceremonies held earlier this month, the mockumentary-style show about educators in an underfunded Philadelphia school, won the trophy for outstanding comedy series casting. “Succession” won the drama series casting award.
“The Crown,” last year’s big winner, wasn’t in the running this time because it sat out the Emmys eligibility period. The dramatized account of Queen Elizabeth’s reign and family life will return for its fifth season in November, as Britain mourns the loss of its longest-serving monarch who died Thursday at age 96.
