Ke Huy Quan and Jamie Lee Curtis won supporting acting awards for the indie hit “Everything Everywhere All at Once” at the 95th Academy Awards on Sunday where host Jimmy Kimmel pledged “no nonsense” as Hollywood reconvened a year after one of the most infamous moments in Oscar history. The Associated Press has the story:
‘Everything Everywhere,’ ‘All Quiet’ grip Oscars
Newslooks- LOS ANGELES (AP)
Ke Huy Quan and Jamie Lee Curtis won supporting acting awards for the indie hit “Everything Everywhere All at Once” at the 95th Academy Awards on Sunday where host Jimmy Kimmel pledged “no nonsense” as Hollywood reconvened a year after one of the most infamous moments in Oscar history.
The former child star Quan capped his extraordinary comeback with the Oscar for best supporting actor. Quan, beloved for his roles as Short Round in “Indiana Jones and the Temple of Doom” and Data in “Goonies,” had all but given up acting before being cast in “Everything Everywhere All at Once.”
His win, among the most expected of the night, was nevertheless one of the ceremony’s most moving moments. The audience — including his “Temple of Doom” director, Steven Spielberg — gave Quan a standing ovation as he fought back tears.
“Mom, I just won an Oscar!” said Quan, 51, whose family fled Vietnam in the war when he was a child.
“They say stories like this only happen in the movies. I can’t believe it’s happening,” said Quan. “This is the American dream.”
Minutes later, Quan’s castmate Jamie Lee Curtis won for best supporting actress. Her win, in one of the most competitive categories this year, denied a victory for comic-book fans. Angela Bassett (“Black Panther: Wakanda Forever”) would have been the first performer to win an Oscar for a Marvel movie.
It also made history for Curtis, a first-time winner who alluded to herself as “a Nepo baby” during her win at the Screen Actors Guild Awards. She’s the rare Oscar winner whose parents were both Oscar nominees, something she emotionally referenced in her speech. Tony Curtis was nominated for “The Defiant Ones” in 1959 and Janet Leigh was nominated in 1961 for “Psycho.” Curtis thanked “hundreds” of people who put her in that position.
The early back-to-back wins for “Everything Everywhere All at Once” was perhaps a sign of things to come. The film, up for a leading 11 awards, is the clear best-picture favorite.
The German-language WWI epic “All Quiet on the Western Front” — Netflix’s top contender this year — took four awards as the academy heaped honors on the craft of the harrowing anti-war film. It won for cinematography, production design, score and best international film.
Though Bassett missed on supporting actress, Ruth E. Carter won for the costume design of “Wakanda Forever,” four years after becoming the first Black designer to win an Oscar, for “Black Panther.” This one makes Carter the first Black woman to win two Oscars.
“Thank you to the Academy for recognizing the superhero that is a Black woman,” said Carter. “She endures, she loves, she overcomes, she is every woman in this film.”
Carter dedicated the award to her mother, who she said died last week at 101.
The telecast, airing live on ABC, opened traditionally: with a montage of the year’s films (with Kimmel edited into a cockpit in “Top Gun: Maverick”) and a lengthy monologue. Kimmel, hosting for the third time, didn’t dive right into revisiting Will Smith’s slap of Chris Rock at last year’s ceremony.
But after a number of jokes — including one that noted two stars of “Encino Man,” Quan and Brendan Fraser are nominated — Kimmel noted that there are numerous Irish actors up for Oscars, “which means the odds of another fight on stage just went way up.”
The late-night comedian struggled to find lessons from last year’s incident, which was followed by Smith winning best actor. If anyone tried any violence this year, he said, “You will be awarded the Oscar for best actor and permitted to give a 19-minute-long speech.”
But Kimmel, hosting for the third time, said anyone who wanted to “get jiggy with it” this year will have to come through a fearsome battalion of bodyguards, including Michael B. Jordan, Michelle Yeoh, Steven Spielberg and his show’s “security guard” Guillermo Rodriguez.
The night’s first award went to another Guillermo: “Guillermo del Toro’s Pinocchio” for best animated film. That handed Netflix its first Oscar in the category.
Daniel Roher’s “Navalny,” about the imprisoned Russian opposition leader Alexei Navalny, took best documentary. The film’s win came with clear overtones to Navalny’s ongoing imprisonment and Vladimir Putin’s continued war in Ukraine. Yulia Navalnaya joined the filmmakers on the stage.
“My husband is in prison just for telling the truth,” said Navalnaya. “Stay strong my love.”
Some big names weren’t in attendance for other reasons. Neither Tom Cruise, whose “Top Gun: Maverick” is up for best picture, nor James Cameron, director of best-picture nominee “Avatar: The Way of Water,” were at the ceremony. Both have been forefront in Hollywood’s efforts to get moviegoers back after years of pandemic.
“The two guys who asked us to go back to theater aren’t in the theater,” Kimmel said, who added that Cruise without his shirt on in “Top Gun: Maverick” was “L. Ron Hubba Hubba.”
After last year’s Oscars, which had stripped some categories from being handed out in the live telecast, the academy restored all awards to the show and leaned on traditional song and and dance numbers. That meant some show-stopping numbers, including the elastic suspenders dance of “Naatu Naatu” from the Telugu action-film sensation “RRR,” and an intimate, impassioned performance by Lady Gaga of “Hold My Hand” from “Top Gun: Maverick.” Her appearance was also confirmed just before the ceremony began.
It also meant a long show. “This kind of makes you miss the slapping a little bit, right?” Kimmel said mid-show.
After last year’s slap, the academy created a crisis management team to better respond to surprises. Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who was banned by the academy for 10 years, attended.
The Academy Awards is attempting to recapture some of its old luster. One thing working in its favor: This year’s best picture field was stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for “Top Gun: Maverick” and “Avatar: The Way of Water.”
Neither won much, though. “The Way of Water,” with more than $2.28 billion in box office, won for best visual effects.
Last year, Apple TV’s “CODA” became the first streaming movie to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the movie business cratered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in theaters.
At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and reexamined their release strategies. This year, ticket sales have been strong thanks to releases like “Creed III” and “Cocaine Bear.” But there remain storm clouds on the horizon. The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television.
The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year’s telecast drew 16.6 million viewers, a 58% increase from the scaled-down 2021 edition, watched by a record low 10.5 million.
